Davido’s shift in focus might just be a blessing in disguise for the other members of HKN, as they seek a standing in the music industry.
There’s a saying about not
valuing what you have until you lose it. Not understanding that life is
fleeting, and the dynamic of existence changes at every time, with
change being life’s only constant. How you can get complacent in the
safe space of the present, and forget to plan for the future. How
complacency is the curse of comfort and the joys of today need be
secured and improved upon.
That describes what the lesser artistes at HKN Music
have done for the past three years, and why they are currently where
they are. Long touted as a powerhouse, HKN Music was regarded a safe
place for artistes looking to make it big. A family enterprise, the ties
ran deeper than business, as the bond of blood came first, before terms
such as merit, execution, achievement, and KPIs were brought into play,
if ever they were.
Davido,
was the golden goose, laying eggs of hits that were worth far more than
their weight in gold. The young kid sped to stardom with a pacey brand
of Afro-Pop and local percussion influences that made him so
irresistible to the common folk. He shone like a super sun, with
everyone basking in his light. The HKN boys, made up of cousins, Sina Rambo, B-Red, and the compulsory insider, Danagog,
also did taste of his rays, their profiles receiving a fickle boost,
not based on their achievement, but on proximity to the wonder-man.
People came to reckon with them, due to the power of, and their
association with the brand Davido.
Such an
affiliation lacking equal distribution of power, characterized by a
false sense of self and commune, rather than mutual respect and personal
achievement was a faulty one. It lacked a fickle foundation. The signs
of the faulty relationship were numerous. How many times did we get news
that the house had driven itself to near-implosion, by ego-powered in-fighting, and a rush of adrenaline?
How many episodes of family meetings were called to settle what, in an
ideal setup, would have been resolved via official dispute resolution
processes? How many subs did Twitter have to receive, and bitter
innuendoes which gave off an unhappy air?
All through this, a
happy façade was kept up, as hugs, back-pats, gifts of jewelry, cigars
and the finer things of life were packaged and commoditized on social
media, to maintain a happy and prosperous narrative.
But
all of that changed this year. Davido decided to alter the balance, for
personal reasons, and begin a project that could separate business from
blood. After his annexation to the growing empire of Sony Music, he
tidied business back home by signing up Mayorkun and Dremo,
setting up an ultra-modern comprehensive PR digital plan, run by Avante
PR, and began work. The progress was almost evident from the start. Mayorkun’s ‘Eleko’ video raced to a million views in 10 days, which made him receive more press. Dremo began rather organically, working with L.A.X on ‘Ole’, dropping his ‘Fela’ cover of ‘Panda’, and now releasing his debut single ‘Ojere’.
Back at the old
house, B-Red and everyone else were threatened. They were no longer the
apple of Davido’s eye, and their place of comfort was shaken. Davido was
still a HKN member, but his light now had a new direction. DMW has
become his home, and every other project was secondary.
It also didn’t help that the HKN boys were called crap by critic Osagie Alonge, who singled Danagog for the distinguished title of ‘average crap’.
This
has made their position threatened, and just might have kicked them
into action. Danagog has had another mixtape released since the
incident, and has gone on to promote that. B-Red, three years after his
signing, is putting together his first body of work, an EP titled “All
The Way Up”.
There will
definitely be more work to come from the HKN men. Without Davido
papering over the cracks, the record label is fraught with deadweights
and unprofitable acts with no standing in the music industry. Perhaps
they will dig deep within their pool of resources to produce hit pop
singles to stimulate their growth and maturation. Davido’s shift in
focus might just be a blessing in disguise, capable of inspiring moving
change.
If dem ask me make i talk true, i go talk say make Davido just focus on the two new boys e sign. Na dem sabi how far for industry, as for Bred and co make dem turn hypeman.
#dontakeitp
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